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Suzanne Eisendieck ( 1908 - 1998 )

Biography of Suzanne Eisendieck

Eisendieck was born in Dantzig, Germany in 1908.  She exhibited at the Salon des Independents in 1929. After studing at the Academie des Beaux-Arts, she paticipated in two sucessful exibitions in Berlin. She moved to Paris in 1932 and began immediately to show hewr works which found a wide market beause of their unique execution, coupled with a concept and style original and highly personal. Her impressionistic style involves almost tremulous brushstrokes, diffusing the subject's contours. Her paintings excude happiness and are excuted with great symhony of colors. She has long been famous for her depictions of the girl at a ball, ayoung woman strolling in the garden, or her children at the seashore. The whole world has come to recognize the indentity of her characterizations which became tradition. Whether painting he favorite theme of mother and child in various settings, alandscape with figures, clowns , or flowers- she maintains a remarkable standard of creativity.

Her 'Monet' ladies continue in popularity and her late husband Dietz Edzard, the important impressinist who died in 1963, remain celbrated as two of the greatest exponents of that the School of Paris that forever captures the ultimate in French glamour. 

Eisendieck had her first solo exhibition a t Zak Gallery, Paris, in 1932. She also had sucessful exhibitions in London, Montrealat the Dominion Gallery, New York City and Cologne, as well as joint exhibitions with her husband the artist Dietz Edzard, in Los Angeles, London, New York City, Chicago, and Palm Beach.

Suzanne Eisendieck is recorded in E. Benezit, " Dictionaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs," which notes that she had been exhibiting in Paris since 1929 at the Salon des Independants.

LONDON

Leicester galleries, 1933-1935, 1938

O'Hana Gallery, 1956

NEW YORK CITY

Pearls Galleries, 1948

Hammer Galleries, 1959

PARIS

Galerie Benezit, 1942

Galerie Petrides, 1955

Los Angeles

Gallery Vigeveno, 1950

Cologne

Galerie Abels, 1962